Recorded at the prestigious Studio Piccolo in the heart of Montreal, Quebec, Canadian duo Stick&Bow bring life and energy to ‘Studio Piccolo Sessions’. This audio release accompanies a series of five videos presenting works by: Sting, Pau Casals, Luis Naon, Jason Noble and Carlos Puebla. The dynamic duo highlight the technical finesse and energetic performance between cello and marimba. Watch the Piccolo Studio Sessions

This album is a curated and narrative collection of twelve Canadian piano solos about the moon, outer space, and the night and highlights both their folkloric name and more importantly the Mi'kmaw names. This album features all Canadian content by a Canadian artist and is contemporary classical music chosen for its relationship to our environment, for the prosperity of Canadian works and composers in a manner that is accessible to a wide-ranging audience. For this all-Canadian project recordings will be released in 12 monthly singles that correspond to each full moon of the year, starting in February 2021 until January 2022.   

Roots is Ventus Machina's second full-length album. Track list includes eight arrangements by Ventus Machina's clarinetist James Kalyn, including Canadian folk hits by Leonard Cohen, Joni Mitchell and Gordon Lightfoot; tunes by local bluegrass legend Ray Legere; and traditional songs that have been chosen by the members to represent their heritage and first musical influences. Guests on the album include Ray Legere, Andrew George, Joel Cormier, Christian “Kit” Goguen and Atlantic String Machine.  Album Booklet

In honour of Remembrance Day and the 75th Anniversary of the liberation of the Netherlands, Canadian composer Jaap Nico Hamburger presents two symphonies recorded in November 2019. While confronting serious and challenging themes, these works are imbued with hope and optimism.Chamber Symphony No. 1 “Remember to Forget” Ensemble Caprice under the direction of Matthias Maute Produced by: Martha de Francisco Recorded in studio: Église St-Augustin, Mirabel, QC (17/11/2019 - 18/11/2019)“Remember to Forget” is a phrase from Tenach, The Old Testament. The sentence alludes to the notion that doubt (“I should have…I could have…”), rather than being critical (“Where can I improve?”), is inherently self-destructive. We are not necessarily in control of the outcome of events, but that should not deter us from working hard and striving for the best, all toward the positives in life. “Remember to Forget” is a tone poem, using the colours and structures of sound to advance that story, inspired by the biography of György Ligeti (1923-2006).This symphony in two movements is an apostrophe to one of the great musical minds of the age. Ligeti’s own influences stretched back to the 15th century and the richness of polyphony, from folk inspirations and a drenched chromaticism through to jazz and polyrhythm of every description. His work is best known through the soundtrack for Stanley Kubrick’s 2001 – A Space Odyssey. This work is a metaphor of a train journey, moving from youth to catastrophe, and through survival to rebuilding, forgiveness, and ultimately to the lessons of the biblical Joseph: to live, work, build, create, and love to the best of your abilities, under all circumstances, every day.Chamber Symphony No. 2 “Children’s War Diaries” l’Orchestre Métropolitain de Montréal under the direction of Vincent de Kort Produced by: Misha Aster Recorded live at the Violins of Hope concert: Maison symphonique de Montréal (02/11/2019)“Children’s War Diaries” Five diaries of teenagers who were murdered during the Second World War inspired this piece. These children did not survive, but their diaries did. Twenty years after reading these diaries, composer Jaap Hamburger’s 89-year-old mother, Jannie Moffie-Bolle, published her autobiography “Een hemel zonder vogels” (“A sky without birds”). She too was a teenager at the outbreak of the Nazi war in Europe. The book, among other things, describes her experiences in multiple Nazi death camps, including Auschwitz-Birkenau. In 2010, Jaap travelled with her to Israel on the occasion of the presentation of her book at Yad Vashem, the World Holocaust Memorial Center in Jerusalem. The architecture of the Children’s Memorial at Yad Vashem is uniquely sobering. It memorializes 1.5 million murdered children, approximately 95% of all Jewish children ages 0-18 years old in occupied Europe. This staggering number is what led Raphael Lemkin to introduce the term “genocide” in his 1944 landmark publication, Axis Rule in Occupied Europe. When Jaap – overwhelmed by the starkness of the Children’s Memorial – had left the building and stepped into the blazing Jerusalem sunlight, the contours of a new symphonic work came to mind, virtually complete. The composer went home and wrote it down. “Children’s War Diaries” is a symphony for chamber orchestra in five short movements. Album Booklet

“Breathing in the Shadows” is the debut album from Iranian-Canadian composer, Saman Shahi. The album includes three song cycles, two of which are based on poetry by women from across the globe. “Breathing in the Shadows” core themes deal with prejudice, oppression, and inner dissatisfaction, resonating with many different communities that historically have lived through the experiences of these struggles. The music carries an important message of unity and hope.Saman Shahi is an award-winning and published composer, pianist, conductor and educator based in Toronto. He's active in classical music, new music, Iranian traditional music, rock and electronic music, and because of his constant activities in Canada and abroad he has become a sought after performer and composer.Album Booklet