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Isabelle David and James Wright added to the Leaf Music roster

Halifax-based classical record label Leaf Music is pleased to welcome two additions to the label’s roster, pianist Isabelle David and composer James Wright.

Praised for her “poetic and flexible virtuosity” (Helsingin Sanomat), Quebecoise pianist Isabelle David has performed internationally, at venues like Musiikkitalo (Helsinki), Jordan Hall (Boston), Carnegie Hall (New York), and Wilfrid-Pelletier Hall (Montréal). She is the recipient of numerous prizes, including the Borromeo String Quartet Guest Artist Award, Sylva Gelber Music Foundation Award, and Canimex Canadian Music Competition Grand Prize.


Set to release on May 27, 2022, her debut solo album, Souvenirs of Auguste Descarries includes 14 works from the distinguished Quebec pianist and composer Auguste Descarries. This prominent pianist holds a special place in Ms. David’s musical background, as the teacher of her maternal grandmother, pianist Louis Lussier. This special
connection, in conjunction with her discovery of Descarries’ manuscripts, led Ms. David to pursue a doctorate in music performance whereby she devoted four years of research to his piano works. Her work was awarded a Joseph-Armand-Bombardier Canada Graduate Scholarship and eventually led to
the creation of this album.

After having taught at Wilfrid Laurier, McGill, Carleton, and the University of Ottawa, Canadian composer/musicologist James Wright is a Full Professor of Music in Carleton’s School for Studies in Art and Culture. Amongst his many accomplishments, he is distinguished as being the first musicologist in the history of McGill University to be awarded a Governor General’s Gold Medal.


August 5, 2022, is the anticipated date for the release of his album, De Mille Feux, which features Wright’s composition for string quartet, Ellen at Scattergood. This work is a commission by David Cray as a gift for his wife, Ellen, and as a reflection of their time together on Lac Scattergood, Quebec. American composer Dr. John Cornelius II writes: “Ellen at Scattergood is a really decisive string quartet with attitude! The pacing of the movements really allows the listener to get inside the piece, and it takes traditional forms and genres (Tarantella, Waltz, Rondo) and turns them on their ear. This is a brilliantly sophisticated work that has nothing to prove, except its composer’s audacity.” The album was recorded in July 2020 by the Andara Quartet of Montreal: Marie-Claire Vaillancourt (violin), Jeanne Côté (violin), Vincent Delorme (viola), and Dominique Beauséjour-Ostiguy (cello), with Veronica Galicia (recording engineer).

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New Release by Infusion Baroque | Anna Bon di Venezia

For immediate release (Halifax)…March 18, 2022. Leaf Music is thrilled to announce Infusion Baroque’s newest single: “Divertimento No. 3 in D minor, Op. 3” composed by Anna Bon. 

Anna Bon di Venezia was an accomplished 18th-century singer, harpsichordist and composer, who spent a lifetime in good musical company. She studied music at the famed Ospedale della pietá, was supported by Wilhelmine von Bayreuth in becoming chamber music virtuoso at the Prussian court, and worked with Haydn at the Esterházy court. The style of her compositions reflect a time of transition from the Baroque to Classical, and include Six Divertimenti for two flutes & basso continuo, Six Harpsichord Sonatas, and Six Chamber sonatas for flute & harpsichord.

(Illustration – Parissa Mohit)

“Divertimento No. 3 in D minor, Op. 3” marks the fourth single of a series of releases for Infusion Baroque’s album Virtuosa, to be released June 10, 2021. The 2-disc recording encompasses 15 works that were either composed or performed by women, and recorded on historical instruments. 

Since 2017, one of Infusion Baroque’s primary initiatives has been The Virtuosa Project, a series of concerts, lectures, and web videos dedicated to women musicians of the seventeenth, eighteenth, and nineteenth centuries. This project, which highlights over a dozen relatively unknown women who made substantial contributions to Western classical music, has generated a great amount of interest at a local and international level, resulting in requests from international presenters for the ensemble to tour the Virtuosa program in the United States, France and the U.K.  

The CD will include a comprehensive booklet and companion website which will include stories, images, and archival material pertaining to the women featured on the recording. The objective is to provide cultural and socio-economic context for the women’s lives as well as for their music, and to highlight their accomplishments in the face of adversity. Many of the featured women were pioneers in their field.

Infusion Baroque draws new audiences to early music through a truly captivating concert experience, deftly combining seasoned musicianship with theatrical elements. Playing music of the seventeenth and eighteenth centuries on historical instruments, the four women of Infusion Baroque enthrall audiences across North America with their creative and interactive programming.

Infusion Baroque’s performances have been described as “dynamic and alive” (Early Music America) with “polish, energy, and finely-honed style… merrily breaking established traditions” (Milwaukee Journal Sentinel). Winners of the Grand Prize and Audience Prize at the 2014 Early Music America Baroque Performance Competition, the ensemble charms audiences with its dynamic programs such as “Who Killed Leclair?” (an interactive murder mystery soirée based on the unsolved murder of the famous musician); “Rebels and Rivalries” (featuring scandalous stories from the lives of great composers); and “Son of a Bach!” (narrating the multigenerational saga of the famous musical family).

Infusion Baroque has released two recordings with the Canadian label Leaf Music to critical acclaim. The ensemble’s latest album, a world-premiere recording of quintets by Georg Anton Kreüsser, was nominated for an Opus Prize by the Conseil Québecois de la musique.  According to Fanfare, “the playing of these musicians … is superb. They play with a liveliness and unforced energy that seems to grow naturally out of the music… combining spontaneity and abandon with technical perfection.” The ensemble’s debut recording of trio sonatas by C.P.E. Bach was described as “real baroque … gripping and full of character” (Radio-Canada).Since 2017, Infusion Baroque has been exploring the lives of historical women performers through The Virtuosa Project. Fascinated by the great number of women who made their mark as musical performers despite considerable barriers and stigma, Infusion Baroque devoted an entire concert season in 2018-19 to exploring their lives and music. The ensemble also produced a web series which tells the story of four female musicians of the past, and is looking forward to producing a CD recording and documentary on this exciting topic to be released in 2021. (photo – Danylo Bobyk)

Infusion Baroque: Divertimento No. 3 in D Minor, Op. 3
Release date: March 18, 2022
Digital Release
Stream/Download HERE
For MEDIA ONLY – Download
pwd: agricola2526

infusionbaroque.com

MEDIA CONTACT: Catherine Little | catherine@leaf-music.ca | leaf-music.ca 

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ROOTS from New Brunswick quintet VENTUS MACHINA

Roots, the second full-length album from woodwind quintet Ventus Machina, is set to be released February 12, 2021 through Halifax-based label Leaf Music. Reflecting what has become the strong artistic voice of Ventus Machina, the music has been chosen by the ensemble to represent both their musical heritage and current musical influences. The track list includes eleven arrangements by Ventus Machina’s clarinetist James Kalyn, among them Canadian folk hits by Leonard Cohen, Joni Mitchel and Gordon Lightfoot, upbeat tunes by local bluegrass legend Ray Legere, and traditional songs.

Also included in the track list is a new original work by Andrew Creeggan based on Celtic tunes, where the composer uses extended instrumentation—English Horn, alto and bass flute, and bass clarinet—to add to the colours of the woodwind quintet. Guests on the album include Ray Legere, Andrew George, Joël Cormier, Christian “Kit” Goguen and the Atlantic String Machine.Ventus Machina is a New Brunswick based classical woodwind quintet that makes regular excursions into other genres, challenging its members and often surprising audiences while staying true to their classical roots. Ventus Machina’s flexible and dynamic style of performance – presenting themed programs that at once engage, entertain, and educate – has attracted and delighted audiences since the group began in 2011.  In the Weeds, the group’s first full-length CD, was released in September 2017.  It was nominated for two East Coast Music Awards and opened the door for the group to be named Classical Artist of the Year 2018 by MusicNB.

Roots
Release date: February 12, 2021
Listen Now – leaf-music.lnk.to/LM239

ventusmachina.com


Roots, le second album du quintette à vent Ventus Machina, sera lancé le 12 février 2021 sous étiquette Leaf Music, basée à Halifax.  Représentant la vraie personnalité de Ventus Machina, la musique a été choisie par les membres de l’ensemble par qu’elle illustre à la fois leurs influences et héritages musicaux.  L’album inclut onze arrangements du clarinettiste de Ventus Machina, James Kalyn, dont des succès canadiens de Leonard Cohen, Joni Mitchel et Gordon Lightfoot, des mélodies enlevantes de la légende locale bluegrass Ray Legere et des pièces traditionnelles.

L’album contient également une œuvre originale d’Andrew Creeggan, basée sur des mélodies celtes, dans laquelle le compositeur fait usage d’une instrumentation élargie – cor anglais, flûtes alto et basse et clarinette basse – pour ajouter de la couleur au quintette à vent.  Les artistes invités Ray Legere, Andrew George, Joël Cormier, Christian “Kit” Goguen et Atlantic String Machine sont également présents sur l’album.

Ventus Machina, quintette à vent de formation classique basé au Nouveau-Brunswick, fait des excursions régulières dans d’autres genres, se mettant au défi et surprenant souvent le public sans jamais sacrifier ses racines classiques.  Ses performances flexibles et dynamiques, souvent thématiques, mais toujours engageantes, divertissantes et éducatives, ont fait le plaisir du public depuis la fondation du groupe en 2011.  In the Weeds, leur premier album, lancé en septembre 2017, a reçu deux nominations aux East Coast Music Awards et ouvert la porte au groupe pour être nommé Artiste classique de l’année 2018 par MusiqueNB.

Roots
Date de lancement: 12 février 2021
Écoutez MAINTENANT – leaf-music.lnk.to/LM239

ventusmachina.com

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Saman Shahi – Breathing in the Shadows

Breathing in the Shadows is the debut album from Iranian-Canadian composer, Saman Shahi, set to be released September 25, 2020 through Halifax-based label, Leaf Music. The album includes three song cycles, two of which are based on poetry by women from across the globe. The title cycle, “Breathing in the Shadows” tells stories of oppression through alienation, resistance, and self-actualization. Resonating with many communities that historically have lived through the experiences of these struggles, the poems have an inherent musicality, evocative imagery, and a powerful message of unity and hope. The poets represented in this cycle are Forough Farrokhzad (Iran), Carilda Oliver Labra (Cuba), Dora Gabe (Bulgaria), Zhai Yongming (China), and Titilope Sonuga (Nigeria). Breathing in the Shadowsfeatures Maureen Batt – Soprano and Tara Scott – Piano. This cycle was commissioned by Maureen Batt with the support of the Ontario Arts Council and premièred through the recital series Crossing Borders.

The second cycle “Orbit” is a work commissioned by tenor Fabián Arciniegas , set to the poetry of Serbian-Canadian Jelena Ćirić. Winner of the inaugural Canadian Amateur Musicians’ Association (CAMMAC) composition competition in 2019. Set within three movements, the poetry highlights the murky areas of human relationships, uncertainties and inner battles we all experience while interacting with others. “Orbit” features Fabián Arciniegas  – Tenor and Tara Scott – Piano. 

In the third song cycle “Songs of a Wandering Soul,” Saman explores his musical identity rooted in his Western Classical training, minimalism, Contemporary Art music, Progressive Rock, Jazz and Iranian traditional music.  The music leaps back and forth between these worlds much like an immigrant trying to figure out a new place to belong.  The poetry used in this cycle is drawn from Shahi’s teenage years where he was trying to navigate his new life in Canada with words in the early days of blogging. The work displaces the pulse constantly to create an inner sense of groove that changes from measure to measure. “Songs of a Wandering Soul” features Tiffany Hanus – Soprano, Saman Shahi – Piano, Peter Lutek – Woodwinds, Derek Gray – Percussion, Scott Peterson – Electric and upright bass, Natalie Wong – Violin and Cheryl Ockrant – Cello. 

‘Breathing in the Shadows’ is a collection of pieces that I have grown to embrace as some of my most authentic and honest work. I am so humbled to be surrounded by colleagues who believed in my work that enabled the coming to fruition of this album in such high quality and artistic finesse. – Saman Shahi 

Saman Shahi is an award-winning and published composer, pianist, conductor and educator based in Toronto. He’s active in classical music, new music, Iranian traditional music, rock and electronic music, and because of his constant activities in Canada and abroad he has become a sought after performer and composer. Saman’s compositions, including some of his short film scores have been performed in North America, South America, Europe and Asia. As a pianist and conductor, Saman has been an avid performer and advocate of new music in Toronto, and he regularly performs with a variety of Ensembles and musicians. Saman is an Affiliate Member of the Canadian League of Composers, Associate Composer at the Canadian Music Centre as well as a SOCAN member. He is also one of the founders and the executive director at the Iranian-Canadian Composers of Toronto, ICOT, a 7 year old art organization that bridges cultures through music and art. Saman is also an active member of the Circle music band, a rock fusion group in Toronto. He was appointed as the music director at Peterborough concert band in 2019. Saman also works as a composer-educator with the Canadian Opera Company.

Breathing in the Shadows
Release date: September 25, 2020
Pre-save/add HERE

SamanShahiMusic.com

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ALICE PING YEE HO – VENOM OF LOVE

A tale of serpent-demons and mortals entwined in forbidden romance, Venom of Love is set to be released September 18, 2020. From one of Canada’s most acclaimed composers, Alice Ping Yee Ho is the recipient of numerous national and international awards, including; the 2019 Johanna Metcalf Performing Arts Prize and is a two-time Juno nominee. Written as full length dramatic music for dance in 4 acts, Venom of Love is based on “Legend of the White and Green Snakes” a Chinese tale seeped in oral tradition and finally written down during the Ming dynasty more than 600 years ago. Canadian lyric coloratura soprano Vania Chan shares the tale of love, jealousy and betrayal being the active ingredients in a story of amazing transformations and ultimate redemption. Written for electronic tape, live soprano and percussion, 7 dancers, multimedia video and lighting design, Venom of Love was originally commissioned by Toronto’s Little Pear Garden Contemporary Dance Theatre in 2014 was directed and choreographed by Emily Cheung.

Hong Kong-born, composer Alice Ping Yee Ho is one of Canada’s most sought after composers of contemporary works. Critics have called her music dramatic and graceful, while praising its “organic flow of imagination,” “distinctly individual” style”, “colourful orchestration”, and “emotive qualities”. Influences evident in her proudly eclectic approach include Chinese folk and operatic idioms, Japanese Taiko , jazz,  pop culture, and other contemporary art forms. Her ongoing goal is to explore new musical styles that are provocative to the ears.

“Colors and tonality are two attractive resources to me: they form certain mental images that connect to audiences in a very basic way.” [AH]  

A twice JUNO Award Nominee (2015, 2018), she has an impressive discography released on the Centrediscs, Naxos, Marquis Classics, Blue Griffin, Electra, and Phoenix labels. She has four solo albums (Centrediscs/Naxos) devoted to music written for different genres: “Ming” for percussion, “Glistening Pianos” for two pianos, “The Lesson of Da Di” features her full length award winning opera, and “The Mysterious Boot” features chamber music for flute, cello, and piano. Her fifth album was recently released through Centrediscs/Naxos of her children’s opera The Monkiest King with the Canadian Children’s Opera Company. Her new project including a new opera CHINATOWN commissioned by City Opera Vancouver, on a libretto by Canadian renowned writer Madeleine Thien, opens in September, 2021 at the Vancouver Playhouse.

Ms. Ho holds a Bachelor of Music degree in composition with high distinction from Indiana University and a Master of Music degree in composition from the University of Toronto. Her teachers have included John Eaton (USA), Brian Ferneyhough(Germany), and John Beckwith (Canada). ​She is a noted classical pianist and an active advocate of contemporary music. She has performed in many new music festivals, including a solo piano recital recorded by CBC Radio 2 in which she premiered Tan Dun’s solo piano work “Traces II”. She now makes her home in Toronto. https://www.alicepyho.com/

Canadian lyric coloratura soprano Vania Chan received her Master of Music in Classical Voice from the Manhattan School of Music in New York, and graduated Summa Cum Laude from York University, Toronto, receiving a B.F.A. with Specialized Honours in Music. Her “gently shimmering coloratura” can be heard in the recording of the Dora Award winning opera THE LESSON OF DA JI (Toronto Masque Theatre), which received a critic’s choice review in Opera News, New York. She often performs with the Rezonance Baroque Ensemble, showcasing their collaborative program “Handel’s Heroines” at the Early Music Festival in Bloomington Indiana, in Toronto, Hamilton, and at the Richmond Hill Performing Arts Centre. https://www.vaniachan.com/

Venom of Love
Digital Release only
Release date: September 18, 2020
Pre-save/add HERE

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Jaap Nico Hamburger: Piano Concerto

Jaap Nico Hamburger: Piano Concerto from celebrated composer Jaap Nico Hamburger – performed by pianist Assaff Weisman.
The recording was produced by Vancouver-based Misha Aster and the work was performed by pianist Assaff Weisman and l’Orchestre Métropolitain de Montréal under the direction of Vincent de Kort. This dramatic concerto is full of drive, explosive energy and pathos. While reminiscent of great works by Prokofiev and Shostakovich, it is truly a unique work among Canadian piano concertos and  modern classical compositions. 






Jaap Nico Hamburger is the current Composer in Residence with Mécénat Musica in Montréal. His compositions include commissions from Turning Point Ensemble, Ensemble Caprice, the Jerusalem Baroque Orchestra, and an original contribution for the project ‘400 years of Dutch Keyboard Music’. He was recently commissioned by the Dutch Government and the United Nations to compose a new concerto for harp and orchestra, to be premiered by Lavinia Meijer and the Royal Concertgebouw Orchestra in 2021. Other commissions include works for Discovery Channel, and broadcasting companies in the UK and the Netherlands. He is a Canadian Music Centre Associate Composer, President and CEO, Orange Music Inc., a Vancouver music production company; and, a former Director of City Opera Vancouver.

Born in Amsterdam, The Netherlands, he started his musical education at the age of 3, and studied piano with Ruben Lifschitz, Alexandre Hrisanide and Youri Egorov. He graduated from the Royal Sweelinck Conservatorium of Music, Amsterdam, The Netherlands, with a soloist degree in piano. He has lived in Canada since August 2000. Anticipated recordings include the release of Jaap Nico Hamburger: Chamber Symphonies Nos. 1 and 2. (November 6, 2020)

Pianist Assaff Weisman has been captivating audiences with his intensity, lyricism and communicative style since his solo debut at the age of twelve. The Greenville News observed “this piano virtuoso has facile fingers that toss off daredevil passages with ease and a mind for music that is as nimble as his fingers.” Mr. Weisman is a graduate of the Juilliard School where he studied with Herbert Stessin and where he is a member of the Evening Division piano faculty.  Prior to his studies in New York Mr. Weisman studied with Professor Victor Derevianko in Israel and was supported by scholarships from the America-Israel Cultural Foundation. http://www.assaffweisman.com/

Conductor Vincent de Kort, born in the Netherlands, is very much in demand as a symphonic as well as an opera conductor. Recently he made very successful debuts at the famous Bolshoi Theatre in Moscow as well as at the Mariinsky Theatre in St. Petersburg (invited by Valery Gergiev). He is a regular guest at the opera houses of Dresden, Stockholm, Edinburg, Leipzig, Tokyo, Vienna, Vilnius, Tours, Luzern, Bern, Magdeburg, Johannesburg, Hawaii, Kazan. He studied with Mariss Jansons in Oslo and in St. Petersburg with the legendary Professor Ilya Musin, who was also the teacher of Valery Gergiev, and was the assistant conductor to Bernard Haitink, Gennady Rozhdestvensky and William Christie. http://www.vincentdekort.com/ 

One of Quebec’s leading cultural ambassadors, the Orchestre Métropolitain de Montréal was founded in 1981 on a bold gamble: that the best way to promote symphonic music is by creating strong ties with the public. For 20 years now, the OM has grown alongside its artistic director and principal conductor Yannick Nézet-Séguin, whose career continues to reach new heights. Their exceptional collaborative relationship has given rise to many ambitious musical projects, some of them quite daring, under the leadership of the Montreal conductor. https://orchestremetropolitain.com/en/ 

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Sea Dreams: Luminous Voices releases their 3rd recording

Calgary’s professional chamber choir Luminous Voices announces with great excitement the release of their newest CD Sea Dreams.
Sea Dreams features the work of the same title by Canadian composer Peter-Anthony Togni. Sea Dreams is written for double mixed choirs and two flutes and will feature two top Canadian flutists Sara Hahn-Scinocco and Sarah MacDonald. The piece was commissioned by Luminous Voices and Sara Hahn-Scinocco with the support from the Canada Council for the Arts and Paul and Elwyn Brown, and was premiered on February 25, 2018 at the Bella Concert Hall, Taylor Centre for the Performing Arts, Mount Royal University in Calgary, Alberta.

“Sea Dreams is a work that reflects my relationship to the ocean and my thoughts about a journey of faith, a journey full of questions, fears, longings, hopes, dreams, and the gifts of disappointment,” says Halifax-based composer Peter-Anthony Togni. “Each choir represents a ship on the water. Getting into a boat or on a ship is a kind of leap of faith: we can only pray and trust that the journey will be successful.”

“We have forged a strong artistic bond with Peter-Anthony Togni over the past 5 years,” says Timothy Shantz, Luminous Voices’ Artistic Director. “There is something very luminous about his music, reflecting inwards and outwards. Togni exploits sonorities and colours that we really enjoy producing. The compilation of works on this recording represent a variety of styles and periods of his music and celebrates his 60th year.”

Sea Dreams also includes other works by Togni, including Totus Tuus, Requiem et Lux, Earth Voices, Psaume 98, and more. Guest artists include bass clarinetist Jeff Reilly, soprano Katie Partridge, and tenor Oliver Munar.

Luminous Voices, founded in 2012 by conductor and Artistic Director Timothy Shantz, continues to thrill audiences in Calgary and beyond through performances, recordings, and workshops. The choir has released two recordings, The Far West (2016) and Mendelssohn’s Te Deum (2015). Of The Far West, Joshua Kosman of the San Francisco Chronicle wrote “beautifully sung, as everything here is, by the aptly named Luminous Voices under Timothy Shantz.” The Far West was awarded the 2018 Choral Canada Award for Outstanding Choral Recording. The ensemble’s first recording, Mendelssohn’s Te Deum, was awarded the same recognition in 2016. Luminous Voices illuminates exceptional choral music of the past and present while supporting contemporary composers by commissioning new works. The ensemble’s vision is to encourage the advancement of choral art by providing a forum for collaboration among local and international artists in the development and presentation of choral music, as well as musical education programs.

For more information, visit www.luminousvoices.com, Facebook (LuminousVoices), Twitter (@LuminousVoices), or Instagram (@luminous_voices).

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“The Seeker” from Canadian composer Kevin Lau

May 20, 2020 (Halifax, NS) “The Seeker” from celebrated composer Kevin Lau – performed by pianist Victor Cheng, is released June 5, 2020 through Halifax, NS – based classical record label, Leaf Music.

Kevin Lau

Kevin Lau is one of Canada’s most active young composers. A prolific composer of orchestral, chamber, ballet, and film music. Described as a “self-assured voice” (Barczablog) with a “masterful control over his idiom” (Classical Music Sentinel), Kevin Lau has established himself as one of Canada’s leading young composers. Awarded the 2017 Victor Martyn Lynn-Staunton Award by the Canada Council for Outstanding Achievement, Kevin’s music has been commissioned and performed by ensembles across North America, including the Toronto Symphony Orchestra and the National Arts Centre Orchestra. Major works include Le Petit Prince, commissioned by the National Ballet of Canada and choreographed by Guillaume Côté.

“The “Seeker” is an archetype—a person who pursues dramatic experiences in search of meaning, pushing the limits of his/her abilities (and skirting the edge of danger in the process) in order to find transcendence. The music is a sonic and physical exploration of the ‘daredevil’ spirit, found particularly in high-level athletes and performers. The playful, quick-footed tune that opens the piece unfolds largely without a harmonic ‘safety net’, careening through a variety of increasingly daring episodes, before returning to the opening few bars: a tranquil homecoming after a fulfilling journey. I am grateful to Victor Cheng, pianist and athlete extraordinaire, for so perfectly embodying the spirit of the “Seeker”.” – Kevin Lau

Kevin’s discography includes the JUNO-nominated “Spin Cycle” (Centrediscs), featuring the Afiara String Quartet and DJ Skratch Bastid; “Encount3rs” (Analekta) featuring the NACO; “Solo Seven” (ATMA Classique) featuring violinist Marc Djokic; “The Sounds of Our Time” (Naxos) featuring cellist Rachel Mercer, “Premieres” (Cambria Records) featuring violinist Conrad Chow and “A Dream of Dawn” (Leaf Music) premiered by the New Brunswick Youth Orchestra at Musikverein, Vienna, Austria . In addition to composing concert music, Kevin is also active as a film composer, arranger, and pianist. He has written the scores to over a dozen films, including Charles Officer’s feature documentary Invisible Essence: The Little Prince (2018), and has created arrangements for artists such as Sarah Slean, Suzie McNeil, Christos Hatzis, and groups such as the Art of Time Ensemble. He has performed many of his own works and collaborates frequently with artists such as Scott St. John (violin), Lynn Kuo (violin), and Victor Cheng (piano).

kevinlaumusic.com

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Halifax Camerata Singers release video for “Abide with Me”

Today (May 12, 2020) marks twenty-two days since the devastating attack that took the lives of twenty-two of our fellow Nova Scotians. Halifax Camerata Singers remembers, and sends our deepest condolences and love to the family and friends of the victims.

We remember the victims of the Nova Scotia Shooting April 18/19, 2020.

“Abide with Me” is part of the forthcoming ‘Solace’ album set to be released July 10, 2020.

Abide with Me (traditional / arr. Gary Ewer)
Halifax Camerata Singers
Jeff Joudrey, Artistic Director

Abide with me; fast falls the eventide;
The darkness deepens; Lord with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.

Swift to its close ebbs out life’s little day;
Earth’s joys grow dim; its glories pass away;
Change and decay in all around I see;
O Thou who changest not, abide with me.

I need Thy presence every passing hour.
What but Thy grace can foil the tempter’s power?
Who, like Thyself, my guide and stay can be?
Through cloud and sunshine, Lord, abide with me.

I fear no foe, with Thee at hand to bless;
Ills have no weight, and tears no bitterness.
Where is death’s sting? Where, grave, thy victory?
I triumph still, if Thou abide with me.
I triumph still, if Thou abide with me.

Recording Producer: Mark Warren
Recording Engineer: Rod Sneddon
Video Edit: Cassie Mann, Leaf Music

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Jaap Nico Hamburger added to Leaf Music Roster

April 29, 2020 (Halifax, NS) Halifax-based classical record label, Leaf Music is pleased to announce that Canadian composer Jaap Nico Hamburger is joining the label’s roster. Jaap Nico Hamburger is a Canadian Music Centre Associate Composer; President and CEO, Orange Music Inc., a Vancouver music production company; Member of the Board of Directors of City Opera Vancouver (2010-2020); and in 2019 was named Mécénat Musica’s Composer in Residence. 

A resident of Vancouver, BC, Hamburger’s compositions include symphonies, solo concertos, chamber music works, and commissions from Discovery Channel, Rex Video London UK, Turning Point Ensemble, and Dutch Television. He is a graduate from the Royal Sweelinck Academy of Music, Amsterdam, The Netherlands, with a soloist degree in piano.

Jaap’s first release with Leaf Music will be his piano concerto which was recently recorded at Montréal’s Maison Symphonique with the Orchestre Métropolitain de Montréal, with pianist Assaff Weisman and conductor Vincent de Kort – set to be released July 2020 – followed by two symphonies to be released in November 2020. Additional releases for 2021 include a group of chamber works, along with his first opera Goldwasser, currently in development, which is expected to bring Canadian culture to the world stage with a highly anticipated premiere in New York in 2021-22. 

“We are delighted to welcome Jaap Nico Hamburger to our roster. He is poised to become recognized as one of the great composers of our time.  His wide palette of orchestral colours, clever use of folk song elements and driving energy are sure to delight music listeners in concert halls and streaming platforms alike in the years to come.  We are consistently impressed by Jaap Nico Hamburger’s bold and visionary approach to addressing difficult and challenging themes with hope and optimism through his music.  It’s a privilege for Leaf Music to help bring his growing repertoire to the world.” – Jeremy VanSlyke, owner – Leaf Music

jaaphamburger.com


29 avril 2020 (Halifax, N.-É.) – Leaf Music, maison de disques de musique classique d’Halifax, a le plaisir d’annoncer la signature du compositeur canadien Jaap Nico Hamburger. M. Hamburger est un compositeur agréé du Centre de musique canadienne. Il est aussi président et chef de la direction d’Orange Music Inc., entreprise de production musicale de Vancouver. Il est membre du conseil d’administration de l’Opéra de la ville de Vancouver (depuis 2010) et, en 2019, il a été nommé « compositeur en résidence » par Mécénat Musica.

M. Hamburger habite à Vancouver, en Colombie-Britannique. Ses compositions comprennent des symphonies, des concertos en solo, des oeuvres de musique de chambre et des oeuvres de commande pour la chaîne de télévision Discovery, pour Rex Video London UK, pour le Turning Point Ensemble et pour la télévision néerlandaise. Il est diplômé de l’Académie royale de musique Sweelinck d’Amsterdam, aux Pays-Bas, avec un diplôme de pianiste soliste.

Le premier disque de M. Hamburger pour Leaf Music sera son concerto pour piano, qui a été récemment enregistré avec l’Orchestre métropolitain de Montréal, à la Maison symphonique de Montréal, avec le pianiste Assaff Weisman et le chef d’orchestre Vincent de Kort. La parution de ce disque est prévue pour juillet 2020. Viendront ensuite deux symphonies, en novembre 2020. D’autres parutions sont prévues en 2021, dont une série d’oeuvres de musique de chambre, ainsi que son premier opéra, intitulé Goldwasser, actuellement en cours de composition. On s’attend à ce que cet opéra donne à la culture canadienne un retentissement mondial, avec une première très attendue à New York en 2021–2022.

« Nous sommes ravis d’accueillir Jaap Nico Hamburger dans notre maison. Il va être reconnu comme étant un des grands compositeurs de notre époque. Sa vaste palette de couleurs orchestrales, son utilisation futée d’éléments de musique folklorique et son énergie contagieuse raviront à n’en pas douter les auditeurs des salles de concert et des plateformes de diffusion en continu dans les années à venir.
Nous sommes régulièrement impressionnés par l’approche ambitieuse et visionnaire de Jaap Nico Hamburger, qui s’attaque, dans sa musique, à des thèmes ardus et difficiles avec espoir et optimisme. C’est un privilège pour Leaf Music de pouvoir contribuer à la diffusion dans notre monde de son répertoire grandissant. » — Jeremy VanSlyke, propriétaire de Leaf Music

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